Address: 286 Welchville Road, Alloway, NJ 08079
Cost: $750 per person
Instructor: Sally Prasch and George Kennard
Each 4-day workshop runs from 9AM to 5PM each day with additional studio time Monday through Wednesday from 5PM to 9PM.
Lunch is available each day at the glass center for an additional fee. $48 for 4-day workshops, and $60 for 5-day workshops.
The Marriot Townplace Suites in Logan Township is offering a special discount rate of $109 per night for workshop attendees.
To register for this 4-day workshop: REGISTER FOR FROM FLAME TO FURNACE
Since seating is limited, early registration is highly encouraged.
About the Event:
This team-taught workshop will blend the arts of furnace and lampworked glass as we use the torch to form shapes and objects that will be incorporated into hot-worked glass. George Kennard who is an instructor and furnace glassblower for the Corning Museum of Glass and Sally Prasch who is an instructor of artistic and scientific glass. We’ll cover fundamental lampworking and furnace glassblowing techniques, pulling and using cane and murrine, drawing with cane, and placing lampworked shapes onto hot glass. We will also explore the use of scientific glassblowing techniques in the hot shop. Lathe work in the hot shop is highly possible. We will be using primarily 96COE. Don’t miss the rare opportunity to work with George and Sally. All levels
About the Instructor:
Sally Prasch is perhaps the perfect blend of advanced technical skill and intuitive creativity. Her background is in both scientific glassblowing and fine art. She began her career at the age of 13, with Lloyd Moore working as a part-time apprentice at the University of Nebraska and later as a Glassblowing Instructor for the City of Lincoln Recreation Department. She took workshops from some of the best glassblowers of the time, including William Bernstein, Ray Schultz, and Lino Tagliapietra.
Sally attended the University of Kansas from 1977 to 1980 and received a Bachelor’s Degree in Fine Art in Glass (Furnace glassblowing) and Ceramics. After college Sally worked in a hot shop and started her glass art business that is still active today. Sally started attending the Glass Art Society Conferences in 1978 and continues to participate by giving demonstrations and by serving on the Glass Art Society Advisory Board. In 1985, Prasch received her Certificate in Scientific Glass Technology from Salem College in New Jersey. Soon afterwards, she obtained a position with AT&T doing large quartz work for the semiconductor industry.
Sally continued her studies and, in 1986, received a degree in Applied Science from Salem College. Later that year she got a job as a Scientific Glassblower and Glass Instructor at the University of Massachusetts where she taught scientific glassblowing and the properties of glass to graduate students in Chemistry and Physics. She has been a member of the American Scientific Glassblowers Society and has participated in seminars on such subjects like Vacuum Technology, Quartz technology, and Glass Sealing.
She soon began to receive recognition for her artistic work and was selected for the Corning New Glass Review in 1993.
Sally Prasch's current work is characterized by the combination of her technical skills and a strong art esthetic. She places other-worldly figures in glowing globes filled with rare gasses and constructs portraits of friends from broken shards picked out of the glass trash barrels. One item she is well known for are goblets made with coiled stems so that they bounce when handled. Her latest work incorporates cast bronze with glass.
Perhaps Prasch’s greatest fulfillment comes from teaching. She has taught flameworking workshops at Urban Glass in New York City, at the famous Niijima Glass School in Japan; Pilchuck Glass School, Stanwood, WA; Penland School of Crafts, Penland, NC; Pittsburgh Glass Center, Pittsburgh, PA; Grove Gas & Light Co, University of CA, San Diego, CA; Ingalena Klenell’s Studio, Sweden and many more.
About the Instructor:
George Kennard has been at the Corning Museum of Glass since 2001, after spending eight years working in private studios. He began his tenure at the Museum as an instructor in The Studio, teaching beginning and continuing classes in glassblowing. Kennard enjoys the limitless opportunities for creating with molten glass and prefers making large-scale incalmo pieces, by joining two blown glass bubbles to create different bands of color.
*All of our classes are subject to a minimum enrollment policy. In the event that we do not meet our minimum enrollment for a course we will refund your purchase. Salem Community College is not responsible for non-refundable travel expenses. Students will be notified no later than 45 days prior to their class start date if their workshop is subject to cancellation. There is always a chance, due to unforeseen circumstances that a class may be cancelled unexpectedly. In these instances as well, refunds on registration will be issued, and Salem Community College will not be responsible for non-refundable travel expenses.